懷疑主創是大肆吸取了羅伊安德森和雅克塔蒂的策略用大量平整和單調攝像機運動配合全搭建和幾乎全室內的調度呈現一種動態畫(moving tableaux)或者按我的說法dioramic screens更進一步的隱喻可能是室內空間(或者說Anglophone Capitalist Male Dominant室內空間)不僅顯而易見地切割了人的情-動還捏造了一具新的身體(environment as your corporate body)——然而你的身體實為一具東北往事第二季是在兩個世界中將一指認為二making space for a new body, making body for a new space
從別的影評那兒看到的這句話If you are lucky enough to have lived in Paris as a young man, then wherever you go for the rest of your life it stays with you, for Paris is a moveable feast.“--Ernest Hemingway